
Raja Sen - 3/5
A long and winding ode
All roads lead to roam. Dev Benegal's new film, armed with a syntax-challenging title, is one of those wonderfully shot ruminations of a young clueless man trying to find himself.
He -- by which we mean both protagonist and filmmaker -- can't quite find his forte, but takes us along on a fanciful, unpredictable little diversion, a very pleasant hitchhike through bleak deserts we really ought to see more of.
The film is about slackjawed young loner Vishnu , played by Abhay Deol , an apathetic slacker who really doesn't seem to give a damn about anything. All he knows is that anything would be better than his actual stinking legacy -- he's a hair oil heir -- and escapes by way of delivering an old truck across Rajasthan .
On his way he encounters a motormouth chaiwallah determined on finding a better life, a grizzled old mechanic who knows the ways of the world and points them forward, and a comely young widow looking to forget.
In short, a perfectly family-photograph sized entourage heading to a makeshift Oz mela down the yellow brickless road.
It is, as you'd imagine, a charming film. Thanks mostly to Michel Amathieu's starkly stunning cinematography, the frames are what you take away from the film, frames of a blue, graffiti-led truck wheezing to a halt in the middle of Kutch, of a kid in a bright yellow tee-shirt and of a fat mechanic struggling to stand but never to smile.
The film is textured lovingly, the colours are beautiful and its slow, sluggish pace initially enchants as much as it eventually exasperates.
Yes, exasperates. For this film -- this pretty little waterless detour of a film -- falters because of inconsistency and the lack of a cohesive storyline.
It's neat and pretty and quite charming, but after a while shots of a truck framed by arid landscape begin to seem tiresome. There are moments of genuine surprise and cleverness, but these are often cancelled out by overdone moments, like an excessive fair that appears out of nowhere, or the unforgivably theatrical shot of filmstrips blowing in the wind.
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Taran Adarsh - 1.5/5
ReplyDeleteI was about to post Taran's review which was a foregone conclusion. This film will not entice the audiences, but I had expected a more glowing review from Raja Sen.
ReplyDeleteHas anyone seen English August by the same film-maker?
All the intellectuals have gathered at BollywoodHungama!!!
ReplyDeleteFaridoon_S
I m thinkin i actually spent money on tickt n popcorn...hmmm...
about 8 hours ago via mobile web
Faridoon_S
But directr Dev Benegal's deliberate attempt at being 'Artistic' n 'I-know-more than-audience' attitude stands out as a sore thumb...
about 8 hours ago via mobile web
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Faridoon_S
On the positive side Satish K is first rate, Abhay's likable madness is affable, background score is a gem, cinematography is brilliant
about 8 hours ago via mobile web
Faridoon_S
Laidback storyline tests ur patience and one is left wondering...Yeh ho kya raha hai...
about 8 hours ago via mobile web
Faridoon_S
I enjoy stimulating intellectual cinema (I loved Dev D) but Road, Movie is a wee bit too abstract for my liking
about 8 hours ago via mobile web
I saw the film and it went over the head. It is a very complex film and found it very hard to understand. It might take some time before I understand what the film was about or maybe I would never get it. Nevertheless it is a very slow film and needs patience. Don't go to watch it just because you loved Dev.D and don't skip it just because you hated Dev.D. I can't say whether the film was good or bad until I finally understand what was going on. But it surely is not the kind of film you can watch with your friends to have time-pass.
ReplyDeleteOne thing I really loved was the end credits and the way of writing 'The End.'(No sarcasm intended).
It had a feeling of Wes Anderson in it very much like The Darjeeling Limited. But seriously what was going on in the film was beyond me. But it had a fantastic background score.
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