Take a Deewana Mastana story, twist it a bit so the third guy has a more active role in the film. Take two middle-aged leading men who have lost all sense of maturity, and throw them in with two young girls who are not afraid to strip down to their skivvies at the least provocation. Add lots of references to films past, gags using blind men, disabled men, and ethnic stereotypes, give up any pretense of having a coherent story or logic and you have a David Dhawan film in the 2000s.
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