Showing posts with label Asha Bhosle. Show all posts
Showing posts with label Asha Bhosle. Show all posts

Tuesday, September 6, 2011

All those W(AK)OW moments – Asha Bhosle in concert!


On the spur of the moment I made the decision to try my luck at the Flint Center where Asha Bhosle was supposed to be singing, along with Sudesh Bhosle. We rushed madly through traffic, arrived late, were told only cash could be used for ticket purchase and the ATM was out of money please! After everyone turned their wallets and pockets inside out we had enough money to get middling good seats, and walked in to see Asha ji on stage, spotlighted, in a baby blue bejewelled saree, talking of how RD Burman asked her to sing a song, which she was unsure of ever being able to do. It was for a Nasir Hussain film, and a bet was on between Nasir and RD about whether Asha or Rafi would do a better job! RD won and the song was a lusciously mad number Aaja Aaja Main Hoon Pyaar Tera with the signature hyperventilation in the mukhda. She started to sing and the clapping and dancing in the seats and out of the seats began! Magic was ON stage and I was viewing it. (Thankfully NO male accompaniment, just pure Asha magic!!). We were told to not do any video photography - so to invoke the magic of Aaja Aaja, I post here the original version from Teesri Manzil:

The concert was an amazing blend of anecdotes, outstanding music from talented and very competent musicians, some male accompaniment from Sudesh Bhosle (more on that towards the end), and Asha Asha Asha in full charismatic and flamboyant mode. She was magical, had the range, the power and that indefinable "sexiness" that made her THE voice of all the sexiest songs in the 60s and 70s!

The acoustics at the Flint Center did full justice to the magic of her vocals. But this was no staid behind the podium singer that her sister is known to be, that is when she is not wagging her finger at you in annoyance if you so much as stir from your seat! Asha was a dynamo, constantly in motion, constantly swaying, and moving to the music, and sometimes breaking into dance steps that flashed her diamond wristcuffs with dangling strings of glitter! She quipped - now that I am 76 years old, and neither in heaven nor on earth, but somewhere in between, let me dance if I want to, who cares!!! And dance she did, evoking the magic of Helen and Bindu and countless other cabaret dancers of the movies! Age sucks all of us into its maw, but I have to say that that day watching Asha ji dance as she sang was a sublime experience, nothing short of magical!

She sang most of her iconic songs, to cheers and claps and sing-alongs and encores! She mentioned that her audience included those who had bunked school and college to see her films (and were now in their 40s and 50s) and those who simply had listened much much later! That described the demographic at the concert rather well. The songs included Chura Liya Hai, Ek Main Aur Ek Tu, and the first half ended with O Haseena Zulfon Wali - sung to a crowd that was mostly on its feet in nostalgia and ecstasy!


After a break Asha ji came back, this time in a stark black Sari, glittering in the spotlights! She recounted how she and Kishore Da prepared for singing Jaane Jaan, she gleeful as she had sung it before in Bangla, he glum and struggling with the notes! Then there was Dum Maro Dum, and the classic WAKOW song. Sudesh Bhosle displayed his excelle mimicry talents by singing all the male voices in Hum Kisi se Kum Nahin - RD Burman, Rafi and Kishore, and then Asha ji chimed in and danced away in the number. The concert rightfully closed with Piya Tu Ab to Aaja from Caravan.

Trolling Youtube I did find one video from this same concert in Phoenix, a short clip, but it give a flavor of the concert, the magic, the moments.



Read more hereHERE

Wednesday, August 3, 2011

The gentle mellifluous genius – Jaidev!


On his birth anniversary, I thought I would share with you some of my favorite compositions from this master. The winner of three National Awards for his compositions in the films Ankahee, Gaman, and Reshma Aur Shera, he also composed the music for Harivanshrai Bachchan’s Madhushala. Trained under Ustad Ali Akbar Khan, his music always went back to his classical roots. His first break in film music came under the Navketan banner and he came into his won from Hum Dono onwards.
It is really hard to pick a few favorites, but I’ll try. My first favorite is from Gaman sung by Suresh Wadkar:

The second one, sung by the incomparable Asha Bhosle, is from Hum Dono – the song and the voice are to die for:
The third is from Mujhe Jeene Do – a luminous Waheeda dancing on a mirror like floor, and a dacoit (Sunil Dutt) mesmerized by her singing and dancing:

See more HERE

Tuesday, November 23, 2010

Sunday, April 25, 2010

All those W(AK)OW moments – Asha Bhosle in concert!



On the spur of the moment I made the decision to try my luck at the Flint Center where Asha Bhosle was supposed to be singing, along with Sudesh Bhosle. We rushed madly through traffic, arrived late, were told only cash could be used for ticket purchase and the ATM was out of money please! After everyone turned their wallets and pockets inside out we had enough money to get middling good seats, and walked in to see Asha ji on stage, spotlighted, in a baby blue bejewelled saree, talking of how RD Burman asked her to sing a song, which she was unsure of ever being able to do. It was for a Nasir Hussain film, and a bet was on between Nasir and RD about whether Asha or Rafi would do a better job! RD won and the song was a lusciously mad number Aaja Aaja Main Hoon Pyaar Tera with the signature hyperventilation in the mukhda. She started to sing and the clapping and dancing in the seats and out of the seats began! Magic was ON stage and I was viewing it. (Thankfully NO male accompaniment, just pure Asha magic!!). We were told to not do any video photography - so to invoke the magic of Aaja Aaja, I post here the original version from Teesri Manzil:

The concert was an amazing blend of anecdotes, outstanding music from talented and very competent musicians, some male accompaniment from Sudesh Bhosle (more on that towards the end), and Asha Asha Asha in full charismatic and flamboyant mode. She was magical, had the range, the power and that indefinable "sexiness" that made her THE voice of all the sexiest songs in the 60s and 70s!

The acoustics at the Flint Center did full justice to the magic of her vocals. But this was no staid behind the podium singer that her sister is known to be, that is when she is not wagging her finger at you in annoyance if you so much as stir from your seat! Asha was a dynamo, constantly in motion, constantly swaying, and moving to the music, and sometimes breaking into dance steps that flashed her diamond wristcuffs with dangling strings of glitter! She quipped - now that I am 76 years old, and neither in heaven nor on earth, but somewhere in between, let me dance if I want to, who cares!!! And dance she did, evoking the magic of Helen and Bindu and countless other cabaret dancers of the movies! Age sucks all of us into its maw, but I have to say that that day watching Asha ji dance as she sang was a sublime experience, nothing short of magical!

She sang most of her iconic songs, to cheers and claps and sing-alongs and encores! She mentioned that her audience included those who had bunked school and college to see her films (and were now in their 40s and 50s) and those who simply had listened much much later! That described the demographic at the concert rather well. The songs included Chura Liya Hai, Ek Main Aur Ek Tu, and the first half ended with O Haseena Zulfon Wali - sung to a crowd that was mostly on its feet in nostalgia and ecstasy!


After a break Asha ji came back, this time in a stark black Sari, glittering in the spotlights! She recounted how she and Kishore Da prepared for singing Jaane Jaan, she gleeful as she had sung it before in Bangla, he glum and struggling with the notes! Then there was Dum Maro Dum, and the classic WAKOW song. Sudesh Bhosle displayed his excelle mimicry talents by singing all the male voices in Hum Kisi se Kum Nahin - RD Burman, Rafi and Kishore, and then Asha ji chimed in and danced away in the number. The concert rightfully closed with Piya Tu Ab to Aaja from Caravan.

Trolling Youtube I did find one video from this same concert in Phoenix, a short clip, but it give a flavor of the concert, the magic, the moments.



Read more hereHERE

Thursday, March 4, 2010

“Mumbai belongs to all" - Asha Bhosle

 

“Mumbai belongs to all.” When legendary singer, Asha Bhosale, said these words in her velvety voice, nobody could say a word. And that includes Maharashtra Navnirman Sena chief Raj Thackeray, who was sharing the dais with the singer when she made this statement.

The snub came on Sunday evening during an event, Swar-Asha, in Pune, organised by channel, Mi Marathi. It all began when Raj, in his speech, said: “Asha Bhosale has sung many songs in different languages. People in different parts [of India] accept these songs as their own. This happened only because she is Marathi.”

After Raj’s speech, television personality, Sudhir Gadgil, interviewed Bhosale and asked her to comment on the work done by migrants coming to Mumbai. “Mumbai belongs to all of India,” Bhosale replied. “No one can snatch the job of a man who works here [in Mumbai] from morning to evening. Our people [the Maharashtrian community] should also show the readiness to work hard.”

Raj chose not to react. MNS spokesperson, Shrish Parkar, also refused to comment. “I have nothing to say on this,” said Parkar. But a slight from Bhosale means a rejection from one of Raj’s political agenda by one of his own. Bhosale is known to be close to Raj and his uncle, Shiv Sena chief, Bal Thackeray.

When industrialist, Mukesh Ambani, and cricketing icon, Sachin Tendulkar, made similar statements a few days ago, they received flak from the Shiv Sena.

This time, however, the Sena chose not to comment.

After the event concluded, Raj and Bhosale had a brief discussion at the exit but what they spoke about was not known.

“Mumbai belongs to all" - Asha Bhosle

 

“Mumbai belongs to all.” When legendary singer, Asha Bhosale, said these words in her velvety voice, nobody could say a word. And that includes Maharashtra Navnirman Sena chief Raj Thackeray, who was sharing the dais with the singer when she made this statement.

The snub came on Sunday evening during an event, Swar-Asha, in Pune, organised by channel, Mi Marathi. It all began when Raj, in his speech, said: “Asha Bhosale has sung many songs in different languages. People in different parts [of India] accept these songs as their own. This happened only because she is Marathi.”

After Raj’s speech, television personality, Sudhir Gadgil, interviewed Bhosale and asked her to comment on the work done by migrants coming to Mumbai. “Mumbai belongs to all of India,” Bhosale replied. “No one can snatch the job of a man who works here [in Mumbai] from morning to evening. Our people [the Maharashtrian community] should also show the readiness to work hard.”

Raj chose not to react. MNS spokesperson, Shrish Parkar, also refused to comment. “I have nothing to say on this,” said Parkar. But a slight from Bhosale means a rejection from one of Raj’s political agenda by one of his own. Bhosale is known to be close to Raj and his uncle, Shiv Sena chief, Bal Thackeray.

When industrialist, Mukesh Ambani, and cricketing icon, Sachin Tendulkar, made similar statements a few days ago, they received flak from the Shiv Sena.

This time, however, the Sena chose not to comment.

After the event concluded, Raj and Bhosale had a brief discussion at the exit but what they spoke about was not known.