Showing posts with label Social Network. Show all posts
Showing posts with label Social Network. Show all posts

Tuesday, March 1, 2011

The 83rd Academy awards – YAWWWWNNNNN!



It could have been the drugs I was on, but this was simply the worst award show I ever saw on TV. The hosts lacked talent in extemporaneous acting, and were too young and unestablished to really be in your face or iconoclastic. So she took to costume changes at the drop of a hat (reportedly advice from Shirley McLaine) while he probably took tranquilizers (no other way to explain that bit in the dress).

Friday, October 8, 2010

'The Social Network' and 12 More Movies That Defined a Generation

Peter Travers: Rolling Stone Magazine


The Social Network (2010)
Can a movie really define a generation? The Social Network comes damn close. It uses the tangled roots of Facebook, created by anti-social Harvard undergrad Mark Zuckerberg (Jesse Eisenberg) to show how technology is winning the battle against actual human contact, creating a nation of narcissists shaping their own reality like a Facebook page. If youth can't see itself in this movie, it's just not paying attention. Here are 12 other movies from the past half century that caught a generation in the act of defining itself.

Monday, August 23, 2010

Facebook Feels Unfriendly Toward Film It Inspired - New York Times


Antoine Antoniol/Bloomberg News, left; Merrick Morton/Columbia Pictures
Facebook’s Mark Zuckerberg, left, is portrayed by Jesse Eisenberg, right, in “The Social Network.” Mr. Zuckerberg says “the movie is fiction.”

LOS ANGELES — At the New York Film Festival next month, Hollywood will unleash “The Social Network,” a biting tale of the Silicon Valley giant Facebook and its founder Mark Zuckerberg.
Now Facebook must decide whether to bite back.
After fretting for months over how to respond, the company appears to have decided that its best bet is to largely ignore the movie and hope that audiences do the same — that “The Social Network” will be another failed attempt to bottle a generation, like “Less Than Zero,” and not culturally defining, as it aspires to be, in the way of “Wall Street” or “The Big Chill.”